Label TextMel Casas’s Humanscape #57 is a mashup: part landscape, part pop art, part scientific diagram. Casas paints a rolling field of Texas bluebonnets, perhaps referencing the nineteenth-century landscape paintings of Julian Onderdonk (on view on the third floor). Superimposed on the sky is a floating anatomy diagram of a bluebonnet. “TEXANA” is stamped below the landscape, denoting the history and culture of Texas (as in, “Americana”), or a suffix used in the scientific names of certain Texas species. Casas—a Chicano artist born in El Paso—seems to offer an ironic and dryly humorous commentary on the relevance of European-style nineteenth-century Texas art.
(Yinshi Lerman-Tan, 2020)