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Purchased with funds provided by the National Endowment for the Arts, The Brown Foundation, and the Sarah Campbell Blaffer Foundation.

Eden Revisited

Purchased with funds provided by the National Endowment for the Arts, The Brown Foundation, and the Sarah Campbell Blaffer Foundation.
Purchased with funds provided by the National Endowment for the Arts, The Brown Foundation, and the Sarah Campbell Blaffer Foundation.
Contact us at copyright@samuseum.org for rights and reproduction of this image. Photography by Ansen Seale. © Helen Frankenthaler

Eden Revisited

Artist: (American, 1928 - 2011)
Place made:United States
Date: 1967-1976
Dimensions:
130 × 69 1/2 in. (330.2 × 176.5 cm)
Credit Line: San Antonio Museum of Art, purchased with funds provided by the National Endowment for the Arts, The Brown Foundation, and the Sarah Campbell Blaffer Foundation
Object number: 77.33.9
Copyright: © Helen Frankenthaler / Artists Rights Society (ARS), New York
Published References Barbara Rose, Helen Frankenthaler, (New York: Harry N. Abrams, Inc., 1970), plate 176.
Label Text
Eden Revisited, with its monumental scale and vibrant sections of yellow, orange, red, and blue, typifies Frankenthaler’s work. Several years after first completing the work, Frankenthaler tinted some areas that she had left unpainted, believing that the space should resonate more. Helen Frankenthaler was an important American abstract painter who responded to the Abstract Expressionist movement with works that were referred to as Color Field paintings, which involved saturating unprimed or raw canvases with paint. Frankenthaler would first staple canvas to the floor and then stain it with paint using sponges and rags, creating large swaths of pigment that resemble watercolor washes. She would then cut and stretch the canvas in the orientation she thought was best.

(Anna Stothart, 2016)
On view


The San Antonio Museum of Art is in the process of digitizing its permanent collection. This electronic record was created from historic documentation that does not necessarily reflect SAMA's complete or current knowledge about the object. Review and updating of such records is ongoing.