Label TextTo create this immersive, optical composition, George Ward Tjungurrayi depicted the claypans (shallow depressions in the clay-rich soil where water collects after a heavy rain) of Kirrimalunya, an important site during the Creation Period. Tingari Men, ancestral elders of the Western Desert region, depended on water from this area as they traveled through the country performing ceremonies. The artist’s signature style of dotted linear patterning evokes the sand dunes of his native Gibson Desert. In this abstract stylistic approach, which was first popularized by Mick Namarari Tjapaltjarri (Pintupi, ca. 1926–1998)—a founding artist of the Western Desert painting movement at Papunya—all representational imagery and symbols are removed from the painting. What remains is an atmospheric visual field that gives respect to the ancestral forces in the landscape.
(LSM, 2017)