Label TextUnder the sorrowing gaze of the Virgin Mary and Saints Joseph of Arimathea, Mary Magdalene, Nicodemus, and John the Evangelist, the dead Christ is buried after His death by crucifixion, a sacrifice that would redeem humanity from sin. Carved alabaster reliefs like this were in great demand as altar decorations in Europe from the fourteenth to sixteenth centuries. Nottingham craftspeople, in England’s East Midlands, supplied hundreds of them. Softer and easier to carve than ivory, alabaster hardened upon exposure to air, making these devotional sculptures durable as well as beautiful. Traces of original paint survive on this relief, which would have added to its aesthetic impact.
(William Keyse Rudolph, 2018)