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Penca de balangandãn

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Penca de balangandãn

Artist:
Culture: Brazilian
Date: 19th century
Dimensions:
A: 5 × 3 1/2 × 7/8 in. (12.7 × 8.9 × 2.2 cm)
B: 7 1/2 × 2 1/2 in. (19.1 × 6.4 cm)
C: 6 × 3 3/4 × 7 1/2 in. (15.2 × 9.5 × 19.1 cm)
D: 6 1/2 × 2 1/2 × 2 in. (16.5 × 6.4 × 5.1 cm)
E: 5 × 3 1/2 × 3 1/4 in. (12.7 × 8.9 × 8.3 cm)
F: 6 1/8 × 1 1/2 in. (15.6 × 3.8 cm)
G: 6 3/4 × 2 1/2 in. (17.1 × 6.4 cm)
H: 4 1/2 × 3 1/4 in. (11.4 × 8.3 cm)
Credit Line: San Antonio Museum of Art, The Robert K. Winn Collection
Object number: 85.1.3988.a-h
Label Text
The penca de balangandãn is a group of figurative amulets joined by a chain to a decorative ring. These objects come from the region of Bahia in northern Brazil and were worn exclusively by enslaved women of African descent. Each balangandãn had a distinctive meaning to the wearer; for example, the hand posed in what is known as the fig gesture, or figas, was thought to ward off evil spirits. Balangandãn is an onomatopoetic word meant to recall the sound made by the object's dangling amulets.
La penca de balangandãn es un grupo de amuletos figurativos unidos por una cadena a un broche decorativo. Estos objetos fueron usados exclusivamente por mujeres esclavizadas de ascendencia africana en Bahía, Brasil. Cada balangandãn tenía un significado distintivo para la usuaria; por ejemplo, la mano colocada en lo que se conoce como el gesto de 'higo', o figas, alejaba a los espíritus malignos. “Balangandãn” es una palabra onomatopéyica que recuerda el sonido producido por los amuletos colgantes del objeto.

(LA, 2022)
On view


The San Antonio Museum of Art is in the process of digitizing its permanent collection. This electronic record was created from historic documentation that does not necessarily reflect SAMA's complete or current knowledge about the object. Review and updating of such records is ongoing.