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San Antonio Museum of Art, gift of Peter P. Cecere.
Wincha
San Antonio Museum of Art, gift of Peter P. Cecere.
Contact us at copyright@samuseum.org for rights and reproduction of this image.

Wincha

Artist Unknown
DepartmentLatin American Art
Dimensions1 3/4 x 48 in. (4.4 x 121.9 cm)
Credit LineSan Antonio Museum of Art, gift of Peter P. Cecere
Object number2006.1.194
Geography
Place madeBolivia
General regionSouth America
DescriptionA woven headband with red and black geometric designs depicted against an off-white background. The object is beaded on both long edges with triple-stacked clear beads.Label TextBolivian headbands are pre-Columbian in origin and are seen in a few parts of highland Bolivia where they are worn only by women. These "winchas" are excellent examples of warp-faced weaving that produces mirror designs when reversed. The glass beads are strung on the weft threads. Headbands are often passed on from mother to daughter, and they frequently have great symbolic value related to lineage and religious belief. (Marion Oettinger, 1998)Exhibition HistoryPasión popular!: Spanish and Latin American Folk Art from the Cecere Collection (San Antonio Museum of Art), April 06, 2013–August 18, 2013.
Not on view
San Antonio Museum of Art, purchased with funds provided by the Friends of Folk Art.
Unknown
ca. 1960
San Antonio Museum of Art, purchased with funds provided by the Friends of Folk Art.
Unknown
ca. 1960
San Antonio Museum of Art, gift of Frederick Wilkins.
Culture: Turkmen, Tekke
late 19th century
San Antonio Museum of Art, gift of Frederick Wilkins.
Culture: Turkmen, Yomut
late 19th century
San Antonio Museum of Art, Purchased with funds from the Latin American Folk Art Acquisition Fu…
20th century
San Antonio Museum of Art, gift of Beryl Nowlin McCleary.
Culture: Egyptian
4th-5th century A.D.
San Antonio Museum of Art, gift of Beryl Nowlin McCleary.
Culture: Egyptian
4th-5th century A.D.
San Antonio Museum of Art, gift of Jill Vexler, Ph.D.
Culture: Tzeltal
1985

The San Antonio Museum of Art is in the process of digitizing its permanent collection. This electronic record was created from historic documentation that does not necessarily reflect SAMA's complete or current knowledge about the object. Review and updating of such records is ongoing.