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Purchased with funds provided by the Mary Kathryn Lynch Kurtz Funds for the acquisition of Modern Latin American Art.

Instrumental

Purchased with funds provided by the Mary Kathryn Lynch Kurtz Funds for the acquisition of Modern Latin American Art.
Purchased with funds provided by the Mary Kathryn Lynch Kurtz Funds for the acquisition of Modern Latin American Art.
Contact us at copyright@samuseum.org for rights and reproduction of this image. Photography by Peggy Tenison. © Estate of Manuel Álvarez Bravo / Artists Rights Society (ARS), New York / ADAGP, Paris

Instrumental

Artist: (Mexican, 1902 - 2002)
Date: 1931, printed later
Dimensions:
paper: 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm)
image: 6 3/4 x 8 3/4 in. (17.1 x 22.2 cm)
Credit Line: Purchased with funds provided by the Mary Kathryn Lynch Kurtz Funds for the acquisition of Modern Latin American Art
Object number: 2008.3.2
Signed: Signed lower right, in pencil: M. Álvarez Bravo, Mexico
Copyright: © Estate of Manuel Álvarez Bravo / Artists Rights Society (ARS), New York / ADAGP, Paris
Inscribed: Annotated, lower left: MAB-95-29 A; Throckmorton Fine Art, Inc.'s accession number on top right: #102939; SAMA accession number on top right.
Label Text
In this early photograph, Manuel Álvarez Bravo focuses on the geometric qualities of a wrench—finding beauty in a utilitarian object. While Álvarez Bravo did not make overtly political works as many artists did after the Mexican Revolution, by monumentalizing a commonplace tool, he metaphorically elevates the worker who uses it. Álvarez Bravo is known as one of the most influential Mexican modernist photographers for his images of Mexico’s landscapes and cityscapes, and for capturing his subjects in ways that often highlight abstract elements in their composition.
(Lana Meador, 2020)

En esta fotografía temprana, Manuel Álvarez Bravo se enfoca en las cualidades geométricas de una llave inglesa, encontrando la belleza en un objeto utilitario. Si bien Álvarez Bravo no produjo obras abiertamente políticas como lo hicieron muchos otros artistas después de la Revolución Mexicana (1917-1940), al monumentalizar una herramienta común, eleva metafóricamente al trabajador que la utiliza. Álvarez Bravo es conocido como uno de los fotógrafos modernistas mexicanos más influyentes por sus imágenes de los paisajes rurales y urbanos de México, y por capturar sus sujetos en maneras que resaltan elementos abstractos en su composición.
(Lana Meador, 2020)

Not on view
In Collection(s)


The San Antonio Museum of Art is in the process of digitizing its permanent collection. This electronic record was created from historic documentation that does not necessarily reflect SAMA's complete or current knowledge about the object. Review and updating of such records is ongoing.