Label TextThis hand-carved, wooden chair, viewed head-on and removed from its domestic setting, is presented not as an object of utility but, rather, as a work of art. Edward Weston took an objective approach to capturing Mexico and its people. He rejected the sentimentality that characterized earlier trends in photography, choosing to isolate and explore formal compositional elements. Using sharp focus, highlighting textures, and emphasizing dramatic shadows, Weston transformed everyday objects and details, making them appear monumental. Although Weston was only in Mexico from 1923 to 1926, his later work reflects his experience there: taking a close-up of a cabbage leaf, for instance, to the point of abstraction.
(Lana Meador, 2017)