Label TextAlthough this scene of Native Americans ingeniously using a dead tree to cross a turbulent river between two cliffs is highly detailed, it is unlikely that artist Nicolino Calyo based it on direct observation from life. This assumption is particularly probable since his mountains were the Catskills of New York—long a tourist destination easily reachable from New York by the 1850s. The Italian-born painter, who moved with his family to America after stints in Malta and Spain, tapped into popular enthusiasm for Western subjects with Eastern audiences, as this work dramatically illustrates.
(William Keyse Rudolph, 2014)