Label TextDiana Fraser, pictured here as Yemayá, commands center stage. Her outstretched arms confidently reveal her body and are a counterpoint to the other portraits’ more modest poses. Rodríguez-Díaz met Fraser, a fellow painter, while attending the opera Frida at the Brooklyn Academy of Music. Fraser’s assertive posture echoes SAMA’s Statuette of Aphrodite (1st–3rd century AD) and the regal rays of light emerging from behind her even recall the goddess’s crown.
The work’s title refers to the Yoruba mother goddess and goddess of oceans whose tradition was brought from Africa to the Caribbean during the transatlantic slave trade. Rodríguez-Díaz’s spectacular sky and seascape capture the sublimity of nineteenth-century American landscape paintings. However, in Rodríguez-Díaz’s painting the figure is at the forefront, embodying the power of nature herself.
(LSM, 2024)