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Gift of Faith and Charles Bybee.
Wardrobe
Gift of Faith and Charles Bybee.
Contact us at copyright@samuseum.org for rights and reproduction of this image. Photography by Peggy Tenison.

Wardrobe

Artist Unknown
DepartmentAmerican Art
Dateca.1880
Dimensionsh. 93 1/2 in. (237.5 cm)
w. 56 1/2 in. (143.5 cm)
d. 29 in. (73.7 cm)
Credit LineSan Antonio Museum of Art, gift of Faith and Charles Bybee
Object number92.60.9
Geography
Place madeColumbus, texas
DescriptionElaborately molded panels with die-struck rosettes applied to the front and three turned columnar details which rest on shaped brackets. White porcelain knobs are used for door handles. Crested top has mirror in center.Label TextWardrobes offered the cabinetmaker an opportunity to display his ability in both construction and decoration in a large, imposing architectural piece of furniture. In this example, colorful contrasting panels and applied turned balustrades and moldings present a vivid surface reminiscent of the Germanic baroque style, a revival created on the frontier. Other Germanic features include the heavy, framed construction; thick, beveled panels and drawers, and the shaping of the pediment with a central mirrored section at the top. Die-struck rosettes are applied to the front of this elaborately molded piece of furniture. Designed to disassemble, the wardrobe has separate crest, top, base, and side sections. The base and top are joined with dovetails while the other sections are mortise and tenoned together with panels attached by screws. This wardrobe shows a marked affinity to the work of Johann Peter Tatsch, a Prussian born craftsman active ca. 1852-1885 in Fredericksburg, Texas. The name Dasch could be an incorrect transcription of the name Tatsch. (Label text, 2008 - Louisa D. Bartlett, Decorative arts consultant based in Mendenhall, Pennsylvania) As settlers flocked to Texas during its incarnations as a republic and then a state, the need for furniture grew along with the population. The cost of importing furniture from other parts of the United States or Europe was prohibitive; thus, 19th century Texans often designed and built to suit their own needs, relying especially on the influx of craftsmen from Germany. Although the forms of Texas furniture closely resemble case and seating furniture used elsewhere, they are made of woods native to the state such as pine and walnut, and are embellished with less expensive decorations, such as simpler porcelain pulls for drawers. The objects on view were once owned by Houstonian Faith L. Bybee, a passionate collector of American furniture and decorative arts who embraced the styles of her native state as well as examples of design from the Eastern Seaboard. (Texas Gallery, 2018)ProvenanceColumbus, TexasExhibition History"VOLKSKUNST: German-American Folk Art from Pennsylvania and Texas," organized by San Antonio Museum in conjunction with the Reading Public Museum. Curated by Louisa D. Bartlett, Guest Curator of Arts of the Pennsylvania Germans at the Reading Public Museum, and co-curated by Nancy Fullerton, Assistant Curator of Latin American Art at the San Antonio Museum of Art. October 4, 2008 - January 18, 2009.
On view
Collections
Gift of Mrs. Charles L Bybee.
Unknown
late 19th century
Gift of Faith and Charles Bybee.
Otto Nowak
ca. 1870-1880
Gift of Faith and Charles Bybee.
Christain Schuette
Culture: Chappell Hill, Texas
ca.1865
Gift of Faith Bybee.
Henry Harms
Culture: Rutersville, Texas
ca. 1860
Gift of Faith Bybee.
Unknown
Culture: Fayette County, Texas
ca. 1860
Gift of Faith Bybee.
Umland Family
ca. 1860
San Antonio Museum of Art, gift of the Alex Katz Foundation.
Virginia Overton
2016
Gift of Faith P. Bybee.
Unknown
c. 1880
San Antonio Museum of Art, Museum Purchase: Stark-Willson Collection.
Culture: Byzantine
6th-7th century A.D.
Purchased with funds provided by Mrs. Marie Smith Schwartz.
Culture: Roman
1st century A.D.
Gift of Faith and Charles Bybee.
Unknown
ca. 1860-1870

The San Antonio Museum of Art is in the process of digitizing its permanent collection. This electronic record was created from historic documentation that does not necessarily reflect SAMA's complete or current knowledge about the object. Review and updating of such records is ongoing.